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ArtHistory2018

Captain Gilbert Heathcote : William Owen

… brushstroke bravado …

Heathcliff Royal Navy Nelson

Why the Birmingham Art Gallery and Museum doesn’t make more of this lush portrait, goodness only knows.

This is one of William Owen‘s finest portraits. He painted Captain Gilbert sometime between 1801-05 whilst he was in his mid-twenties and a dashing Naval officer in the Napoleonic Wars. The face is finely worked whilst the rest of the picture is a virtuoso demonstration of impressionistic paint handling. The loose brushwork of his gold braiding, epaulettes and buttons add a very glamorous swagger to the Captain.

heathcotesleeve

Born in Shropshire, William Owen was apprenticed to a coach painter and then sent to the Royal Academy School in 1791 when he was 22. Owen was a success and in 1810 he was appointed portrait painter to the Prince of Wales, later George IV;  however the prince never gave Owen a sitting and in 1813, when Owen was offered a knighthood, he declined. Whether out of exasperation or disappointment, I cannot find out.

In 1825 Owen died of accidental poisoning by an overdose of ‘Barclay’s Drops’, a heady mixture of aniseed, camphor and opium, after a chemist had mislabelled his bottles.

Portrait of Captain Gilbert Heathcote1802-5, (Birmingham Art Gallery & Museum) by William Owen (1769 – 1825).

 

 

Berthe Morisot : Édouard Manet

… sassy, confident and alive …

berthe_morisot_by_manet

How I love this portrait of Berthe Morisot! She looks sassy, confident and alive. It was painted by her friend, colleague and perhaps lover, Edouard Manet, in 1873 when she was 32 years old.

In 1868, the year they met, Edouard was eight years old than the 27 year old Berthe and he was already married. He joked in a letter to Fantin-Latour: “The young Morisot girls are charming. It’s annoying that they are not men…they could serve the cause of painting by each marrying a member of the French Academy & sowing discord in the camp of those dotards, though that would be asking for considerable self-sacrifice.”” * She married his brother, Eugene, in 1874 .

Berthe Morisot (January 14, 1841 – March 2, 1895) was a leading pioneer of Impressionism though her work and her influence lacks the attention of her peers because of the social context of her time and also the prejudices of later art criticism. She chose to use her maiden name and exhibited regularly alongside her more famous colleagues.  In 1890, Berthe Morisot confided in a notebook: “I don’t think there has ever been a man who treated a woman as an equal, and that’s all I would have asked, for I know I’m worth as much as they.” **

morisotphoto

In fact her story is so intriguing, Berthe has taken over this post – which I thought was going to be about the painter, Manet. (Photo, c. 1870)

Portrait of Berthe Morisot1882, (Marmottan Monet museum) by Édouard Manet (23 January 1832 – 30 April 1883)

There is a very interesting and detailed blog about Berthe and her relationship with Manet at Julie Schauer’s Artventures.

The Marmottan Monet museum’s website is http://www.marmottan.fr/

* Jeffrey Meyers: The Impresionist Quartet: The Intimate genius of Manet and Morisot, Degas and Cassat.

** Review by: Therese Dolan in Woman’s Art Journal, Vol. 15, No. 2 (Autumn, 1994 – Winter, 1995), pp. 40-43 – Perspectives on Morisot by Teri J. Edelstein; Berthe Morisot by Anne Higonnet; Berthe Morisot’s Images of Women by Anne Higonnet.

 

 

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