… fighting, moral ambiguity, death – what’s not to like? …
I hadn’t really heard the term “grimdark” until a couple of years ago and, as a relatively new term the definition is still fairly flexible. Wikipedia currently has this: Grimdark is a subgenre or a way to describe the tone, style or setting of speculative fiction that is particularly dystopian, amoral or violent. I guess what sets grimdark apart from horror is that the supernatural element can usually be controlled by characters or is treated as a force to be channelled by these characters rather than being some nameless inhuman horror.
Three of my favourite reads this year have been set squarely in the grimdark field: their protagonists are not very noble, their worlds are dystopian with dark forces at work and the deaths are generally gruesome.
Strangely enough I don’t like horror. Never read the stuff. So why did I enjoy these books?
After much thought I think it’s a combination of the pace, the unpredictability and the black humour of this genre I love so much. Looking back over my reviews, I use phrases such as: tremendous pacey thriller, a beguilingly flawed hero, exuberant story telling and enough twists amongst the battles and assassinations to keep the pages turning fast.
Two other favourite reads of 2017 could almost be grimdark for their flawed protagonists, black humour and dark forces. The urban fantasy Corpselight by Angela Slatter with an excellent detective, Verity Fassbinder, set in Brisbane and the Young Adult novel, The Invasion by Peadar O’Guilin which will be out next year. It is a delicious mixture of folklore, fantasy and horror.
Blackwing by Ed McDonald was published in July 2017 by Gollancz in the UK. My full review is here. Ed’s very entertaining blog is here It includes some great posts on writing and the publishing journey. And longsword technique. He is on twitter @EdMcDonaldTFK