Yannia, the detective, is one of the Wild Folk who should be with her conclave but … it’s complicated. Her father is dying and she is not ready to take her place in the pack – nor at the side of her betrothed, Dearon.
Instead she is in Olde London trying to solve a murder that hasn’t quite happened yet.
… some astonishing works amongst the usual suspects …
Yes, I know all his portraits look the same (as Henry James put it: “this languishing type … which savours of monotony”) and walking from room to room can be a little like scoffing a whole box of chocolates BUT to see the two iconic series, Briar Rose and Perseus, Continue reading “Edward Burne-Jones : Tate Britain”→
The detective is one of the Wild Folk, hurting and lonely in the city of an Olde London where magic reigns. Her apprentice is a Bird Shaman. They need to solve the murder and work out how the justice system can be corrupted before an innocent man is executed. They have five days.
… fighting, moral ambiguity, death – what’s not to like? …
I hadn’t really heard the term “grimdark” until a couple of years ago and, as a relatively new term the definition is still fairly flexible. Wikipedia currently has this: Grimdark is a subgenre or a way to describe the tone, style or setting of speculative fiction that is particularly dystopian, amoral or violent. I guess what sets grimdark apart from horror is that the supernatural element can usually be controlled by characters or is treated as a force to be channelled by these characters rather than being some nameless inhuman horror.
Three of my favourite reads this year have been set squarely in the grimdark field: their protagonists are not very noble, their worlds are dystopian with dark forces at work and the deaths are generally gruesome.
Strangely enough I don’t like horror. Never read the stuff. So why did I enjoy these books?
After much thought I think it’s a combination of the pace, the unpredictability and the black humour of this genre I love so much. Looking back over my reviews, I use phrases such as: tremendous pacey thriller, a beguilingly flawed hero, exuberant story telling and enough twists amongst the battles and assassinations to keep the pages turning fast.
Two other favourite reads of 2017 could almost be grimdark for their flawed protagonists, black humour and dark forces. The urban fantasy Corpselight by Angela Slatter with an excellent detective, Verity Fassbinder, set in Brisbane and the Young Adult novel, The Invasion by Peadar O’Guilin which will be out next year. It is a delicious mixture of folklore, fantasy and horror.
Godblind by Anna Stephens was published by Harper Voyager in June 2017 in the UK. My review can be read here and her twitter account is @AnnaSmithWrites
Blackwing by Ed McDonald was published in July 2017 by Gollanczin the UK. My full review is here. Ed’s very entertaining blog is here It includes some great posts on writing and the publishing journey. And longsword technique. He is on twitter @EdMcDonaldTFK
Godsgrave by Jay Kristoff was published by HarperVoyager in September 2017. My review is here. For further information on Jay, his website is here. His twitter feed is fun to follow @misterkristoff
Corpse Light by Angela Slatter was published by Jo Fletcher Books in July 2017. My full review can be read here and her twitter account is @AngelaSlatter
The Invasion by Peadar O’Guilin will be published by David Fickling Books in March 2018. My review is here and his twitter account is @TheCallYA
… addictive mix of wild savagery and messy emotions …
Peadar is a master of combining thrilling horror with thoughtful characterisation, creating an addictive mix of wild savagery and messy human emotions. As with The Call, he drives The Invasion‘s plot forwards at a tremendous pace whilst adding just the right amount of intimate scenes for the reader to become very attached Continue reading “The Invasion : Peadar O’Guilin”→
This is a perfectly paced ghost story about a girl living next to a derelict orphanage.
Pam Smy carefully weaves together the stories of two girls in a beguiling mix of diary and illustration. The ghost, Mary, writes heartbreaking entries of her bleak childhood in the diary which is discovered years later by the lonely Ella, whose story is told entirely through unscripted illustrations. With no narrator to help, we are left to piece together the gaps in each story.
Pam then intersperses the diary entries and cartoon narrative with heavy black pages to represent sleep. The cumulative effect of these blanks, combined with the silent illustrations, recreates the detachedness of a lonely childhood and gives the reader delightful pause to think about and guess (deliciously) what might happen next.
The whole effect is intriguing, creepy and otherworldly by turn and builds to a terrific climax.
Pam Smy studied Illustration at Cambridge School of Art, part of Anglia Ruskin University, where she now lectures part-time. Pam has illustrated books by Conan Doyle (The Hound of the Baskervilles), Julia Donaldson (Follow the Swallow) and Kathy Henderson (Hush, Baby, Hush!), among others. This is the first book she has both written and illustrated. Pam has a blog spot here which traces some of the development of this work.
This is my seventeenth review in the British Books Challenge 2017. Come and join us at over at Chelley Toy’s site.
Thornhill by Pam Smy was published on 24 August 2017 by David Fickling Books in the UK and on 29 August 2017 by Roaring Brook Press in USA.
It was recommended to me by Emily who runs Emily’s Bookshop in Chipping Campden. Thanks, Em!
… great fun urban fantasy with a kick-ass female lead …
Verity Fassbinder is half Weyrd and half norm – a status which makes her well placed to police the blurred lines between the normal and the shadowy in the city of Brisbane. When an insurance company gets troubled by an “Unusual Happenstance, Verity is called in and the threads of the situation unfurl to coil around her friends and her family, and ultimately Verity herself.
Angela writes with great style and economy. The story line is fast and furious with lots of fabulous characters and relationship twists but, most of all, I’ve waited all year to spend time with Verity again. She is loud mouthed, full of heart and this time, she’s very, very pregnant.
Angela Slatter is an award-winning author of short story collections for which she has won the World Fantasy Award, the British Fantasy Award and five Aurealis Awards. Vigil, the first Verity Fassbinder book,was her first solo novel. Angela lives in Brisbane, Australia.
Cover design moment: The illustration of a Kitsune (fox) assassin is by Rory Kee, who is name credited on the back and appears to work for Quercus quite a bit – though unfortunately I can’t find a website for her.
Corpse Light by Angela Slatter was published by Jo Fletcher Books, an imprint of Quercus, on 13th July 2017. This is the second in Angela’s Verity Fassbinder series. Restoration, the third, is hopefully out next year.
Frances Hardinge‘s next novel is a thrillingly dark tale of witchcraft and possession set during the turbulent Civil War of the C17th. I have been given a First Five Chapters promotional extract by my indie bookseller, Emily, at Emily’s Bookshop. Thanks, Em!
The fierce Makepeace feels friendless and awkward. She is no more than a servant in her Uncle’s house. Her distant mother frequently locks the girl in a disused chapel at night. “You need to stay here and sharpen your stick.” For the woman knows there are ghosts that will try to invade Makepeace’s mind. Out on the marshes one day, she tries to rescue a dying animal, and the creature’s spirit becomes part of her. As a “by-blow”, she is sent to live at Grizehayes, her grandfather’s house, and this is where the adventure really begins …
… and I can’t wait to read the rest of it!
Frances has conjured up another passionate, caring outsider in Makepeace. Her character alone would make me read on. But this girl combined with the C17th and witchcraft is my idea of heaven. As always, her turn of phrase is sparkling: the terrifying minister whose preaching contains “love like a cold white comet”; and her pacing of the exposition is spot on, trailing just enough clues for the reader to guess at what’s to come.
Cover design moment: The gorgeous cover, reminiscent of mille fleur tapestry patterns, is by the very talented Romanian illustrator, Aitch. More of her work can be found here. And a blogpost about the ideas behind the design can be found at MyKindaBook here.
A Skinful of Shadows by Frances Hardinge will be published by Pan Macmillan on 21st September 2017.
A chase across England after the bones of Ursula Cadence, a C16th witch, before the ghost of her son does something extreme.
Syd’s deft writing establishes the protagonist, Rosie Strange, as the new owner of the run down Essex Witch Museum whilst smoothly setting up the working (and love/hate) relationship between her and the museum curator, Sam Stone.
The relaxed breezy style and numerous Essex jokes belie the amount of research that obviously went into the novel’s background. These details add depth and thoughtfulness to an otherwise lightweight read. This isn’t a criticism but more of a comment on an interesting juxtaposition between the constant froth of Essex humour against the dark witchcraft subject matter. This contrast is further highlighted by the fact that in her acknowledgements Syd explains she has tried to get funding for a witchcraft museum – and still hopes one day to achieve this dream; and yet the novel’s by-line on the cover is “The only way is witchcraft” – a reference to the popular British reality soap, “The Only way is Essex” which full of love triangles, fake tans and hair extensions. There’s a lovely 5 minute Youtube clip of Syd Moore explaining the 1980s prejudice, comparison between witches and Essex girls, and her revisioning of them both here.
A thoroughly enjoyable holiday mystery and I am looking forward to the next in the Essex Witch Museum series.
Syd Moore lives in Essex. She has been a lecturer and a TV presenter before becoming a writer.
This is my fourteenth review in the British Books Challenge 2017. Come and join us at over at Chelley Toy’s site.
Cover design moment: Superb design by James Jones: clear, vibrant, stand out from shelf kind of work. Lovely to see that this Art Director of One World name checked on the back and mentioned by Syd Moore in her acknowledgements for the “gobsmacking Oh-my-god-I-love it so-much jacket design”. Bravo! A selection of his brilliant designs can be found on his Tumblr feed here.
Strange Magic by Syd Moore was published by Point Blank, an imprint of One World, on 4th May 2017. A sequel, Strange Sight, is due to be published in October 2017.